
This is going to be quick. Lookie what I got!
The Reckoning of Asphodel, by Celina Summers, is traditional high fantasy,I also liked this part:
with chivalric knights and wood-wise elves, beautiful princesses and wise female
seers, good and evil sorcerers and magicians. It's written in the language
typical of the genre. It is, however, much better written, with more complex
characters and situations, than many similar books. This is a serious fantasy
novel, not the verbal equivalent of a computer game.
Summers has created a complex and colorful world inhabited by equally complex
and colorful characters. Minor as well as major figures are quirky and
individual. The dressmaker, Myrielle, advising Tamsen on using proper dress as a
woman's weapon is clever, funny and down to earth - a good supporting
character.
Aleira liked the rain. It slanted from the thickening sky as slashes of lavender. Overall it was, particularly at this time of year, a beautiful and relaxing thing to watch. She had heard rumors that in places across the great Mneosta Sea the rain was as silvery as the clouds that brought it. She didn’t necessarily believe it. For her, it was incomprehensible that rain could be anything other than the watery purple-hued streaks she loved. She let the hood fall back from her face, glorying in the feel of the water against her skin. For a girl with many problems, the rain was a wonderful thing.
Aleira was alone. She liked being alone. For as long as she could remember,it had always been thus. No matter what town she walked through, or what inn she entered in search of food and drink, she was the lone person in her life. It wasn’t very bad; it gave her time to think. Most of that thinking time she spent asking herself the selfsame question repeatedly.
Who am I?
She knew her name. She retained that one thing from ‘before.’ “Before’ referred to the time of darkness. ‘After’ referred to now. ‘After’ began when Aleira opened her eyes a month ago and found herself standing alone in the middle of a large field. She knew absolutely nothing about her origins: where she’d come from, who her family was, what she was doing or where she was going. The only clues she had were her name and the few possessions she owned.
“Tell me, Rudianos,” she began softly, as the king stiffened into renewed fury at her use of his name. “Do you think I can’t see that makings of your past? Your father was a cruel man too, was he not? Didn’t he torture you and your younger sister, to mould you into what he thought royalty should be? Wasn’t it difficult for you as a child? All you wanted to do was run to your mother and weep, but you couldn’t because then he’d beat her too.”
The words came faster now, brought up from some well of information that she’d never known she possessed. “I always wonder what the product of emotional cruelty was. I see it now, enthroned and enriched by the suffering of those who don’t even know they are your victims. Your son stands behind me. He is a good man, a patient and gentle man who you ignored when he was growing. You had two older sons; he was unimportant. This son you left alone, spared the incessant brutality you spent upon his brothers as you tried to make them in your image. When they died, you
were left with him. He’d grown up in a different fashion, left to his tutors and beneath your notice. Now you’re frustrated because he isn’t as easy to shape as your other, maltreated, bestial offspring. He has a mind of his own, and prowess that you fear. Tell me, Rudianos: when you lie in your cold bed at night, whose face do you see before you go to sleep? Is it your own face, wreathed in glory and might? Or, is it the face of your son, above a sword that whistles for your throat?”She smiled again, a sweet, innocent smile that belied the harsh impact of her words. “I know what it is you see. I know what it is that you fear. It is the usual thing for mortals to fear their own mortality. I will say this and no more: the death you receive, King of Vegoia, will be the death you have earned.”
NEW ALERT FROM WRITER BEWARE: Writers’ Literary Agency & Marketing
Company (formerly The Literary Agency Group) The Literary Agency Group, a
business owned or controlled by Robert M. Fletcher of Boca Raton, Florida,
changed its name in February 2007 to Writers’ Literary Agency & Marketing
Company (a.k.a. WL Writers’ Literary Agency).
This umbrella group includes or has included the following agencies:
* Christian Literary Agency* New York Literary Agency* Stylus Literary Agency (formerly ST Literary Agency, formerly Sydra-Techniques)* WL Children’s Agency (a.k.a. Children’s Literary Agency)* WL Poet’s Agency (a.k.a. Poet’s Literary Agency)* WL Screenplay Agency (a.k.a. The Screenplay Agency)* Writers’ Literary & Publishing Services Company (the editing arm of the above-mentioned agencies)
Since this company began operating in 2001 under the name Sydra-Techniques, Writer Beware has received hundreds of complaints and advisories of fee-charging, editing referrals, and other questionable practices. We’re not aware that the company has a significant track record of commercial book sales under any of its names, despite its claims to the contrary. Writers who have had trouble with Robert
M. Fletcher or any of the above-named companies, and who are or were residents
of the state of Florida, please get in touch with Ann Crispin at anncrispin@aol.com (or beware@sfwa.org , if the AOL address bounces), even if you have previously contacted her. Please provide complete contact information.