Showing posts with label co writing. Show all posts
Showing posts with label co writing. Show all posts

Wednesday, March 09, 2011

The End of an Era

Yep. The end of one of MY eras.

My last contracted e-book comes out from Aspen Mountain Press this month.  The Vampire Covenants, a trilogy I began with co-author Rob Graham, concludes with Defying the Covenants on March 21, 2011. Although Rob and I co-wrote the first two books, the final book is all mine.  I wrote it by myself, which seems fitting as it's the last one.

For some reason, this book was harder to write than the others.  I hemmed and hawed for a long time over the characters, the ultimate resolution of the plot (which changed drastically from what Rob and I had discussed) and how to bring the story to a final culmination.  I'm not used to writing 'final' in any of my stories. I always like to think that even if I never write another word in the world, the story somehow goes on.  The characters have amazing adventures without me, until they pass into the history of that world.  Then they gradually adapt, becoming first a memory, then a legend and finally a myth.

But with Marguertie in the Covenants series, things are a little different. This is her last story. In a lot of ways, she is representative of me.  Marguerite slides from the limelight, while I move from one sphere to another.  I think that's very fitting.  Marguerite has been one of my favorite characters ever.  She's so different from Tamsen (Asphodel) and all my little goddesses from the Mythos series.  Marguerite is a tragic character in a lot of ways.  She finds ways to make her own happiness, true, but she also finds ways to screw that up.  She didn't start out as a heroine, a woman destined for greatness.  She falls into heroism because of a series of events completely out of her control, and throughout the three books her primary quest is to regain control over herself and her life.  And, at long last, she accomplishes that goal--but at a terrible cost.

I'm very proud of Defying the Covenants. I think this book is an earmark of the change in my writing style, the maturation, perhaps, of how I develop characters and plots. I also think this story is true to my narrative voice.  I was writing this book at the same time I was writing Theater of Seduction so that change in voice had already taken place.  This book is darker, and yet at the same time more emotionally honest than its predecessors.  A couple of the best scenes I have ever written are pivotal moments in the story.

Have you ever had one of those?  A scene that for some reason works so well that it evokes the emotions in you, the writer, that you'd hoped to inspire in the reader?  I had one of those in Apostle of Asphodel, with Anner's death. In Defying the Covenants, there are a couple of those--scenes that I re-read and that actually suck me into the story.  One gives me shivers. The other...well, I've opened the document about thirty times to change that scene, thinking I needed to revise the ending of the story.  But then, I'll read that scene over and I just don't want to touch the damn thing.  So it stays, and because it stays I've stuck with an ending to the story that conventional wisdom would advise against.

That ending is a risk, and therefore I love it.

So now my last countdown clock is up for the vampires of the Covenants, counting down the hours and seconds and minutes when they will at last emerge into the light--figuratively of course. The feeling is bittersweet, which makes it all just that much more amazing. 

I hope you love Defying the Covenants as much as I do.  And just to give you a feel for it, take a moment and get a taste of what Marguerite and Gunther and Marcellin will bring to the table this time.

And farewell to this second era of my writing career.  I hope the next era is as incredible as this one has been.




The Vampire Covenants 3: Defying the Covenants

by Celina Summers

buy page--http://www.aspenmountainpress.com/coming-soon/coming-soon/defying-the-covenants/prod_383.html

Coming March 21, 2011 from Aspen Mountain Press

Synopsis


As the Conclave prepares to confront the Russian renegade Grigori Volkonsky, Marguerite von Wittershiem has been shunted aside. Her husband and mentors hope to keep her out of danger by assigning her the unglamorous task of protecting the written lore of their people.

But their plans go awry when a traitor within the Conclave betrays them all to the enemy. As the most powerful vampires in Europe fall to Volkonsky’s minions, Marguerite must find not only the strength to stand alone but the ability to withstand the greatest threat that the hidden world of vampires has ever faced. If she fails, the immortal races and humanity will be destroyed.

In order to ward the Covenants as she has sworn, Marguerite must be prepared to defy them as well.

EXCERPT


* * * *


The Russians have surrounded us at Notre Dame! Calmet and Marcellin fight alone! Help us!

I was so close. I could make out the brass handle on the great door, gleaming with oily allure through the gloom. Something slammed into my body and hurled me into the pedestal of a statue warding the cathedral doors. I rolled to my feet, the sword in one hand and the dagger in the other. My foe laughed and circled me.

More vampires were dropping from the air now, most of them turning immediately to me. Marcellin was fighting against seven or eight immortals, all thralls, who had surrounded him but couldn’t get past the flashing guard of his blade.

“Come, little one,” the Russian nearest me said in atrocious English. “We will not harm you.”

Somehow, the new arrivals had gotten between me and the cathedral doors. There was no way I could speed through them and head for the sanctuary. I’d lead them right to it—and Calmet’s library. Desperately, I looked around for some other option.

I threw the knife at the Russian who’d spoken. He fell, screaming, to the ground with the blade protruding from his eye. I took advantage of his compatriots’ confusion and leapt for the narrow balustrade before the huge rose window.

My feet scrabbled on the edge of the stone railing, but I leaned forward and threw my arms around the Virgin Mary’s legs. The sword fell from my hand, spinning to the earth below. I didn’t wait to see what the Russians did next. As someone shouted below me, I ran across the narrow ledge to the southwest corner of the cathedral. I began to climb up the staggered bricks.

Overhead, the clouds that had been gathering over the death throes of the France I’d loved, rumbled ominously. I turned and barely bit back a scream. One of the gargoyles was right beside me, sneering over the embattled street below. I used the sculpture’s head to help me vault onto the ledge on its other side. By the time I reached the second balustrade between the twin towers of the cathedral, lightning flashed across the sky. It illuminated the false front of the façade and, for just a second, the steeply angled roof beyond it. I squeezed through two of the fluted columns and found myself standing on the peak of Notre Dame’s roof.

I sobbed, unsure which prospect was more terrifying—the Russians or the roof. Before I realized what I was doing, I mentally screamed, Gunther!

Every ounce of my power went into that psychic shout. Somewhere to the south and then, incredibly, to the north, I felt another immortal’s reaction to that desperate call. I didn’t have time to ponder who these vampires might be. Instead, I bit my lip and took my first step out onto the roof.

I couldn’t walk on the apex of the roof itself; decorative swirls and spikes of metal were enough to warn any vampire away. Instead, I progressed one step down from the peak, using the decorative ironwork to keep me balanced. I would never have attempted such a thing if I wasn’t able to turn into a bat if things went wrong. Regardless, I didn’t relish the idea of sliding down that pitched roof and forcing the shape shift before landing on the stones below. A vampire could experience all the pain of—and live through—breaking every bone in their body. It wasn’t a pleasant prospect at all.

While the storm gathered strength overhead, I scurried across the roof, keeping as low as I could and moving as quickly as I dared. Even to my ears, the sounds of battle were fading. I didn’t know if I was being pursued or not; I didn’t dare take the time to look. As I neared the first of the great flying buttresses, I had an idea.

Maybe I could conceal myself under one of those the same way Marcellin and I had hidden under the Pont Notre Dame. The towering spire reared in front of me. I scrabbled the rest of the way across the roof to it and pulled myself over the railing into the bell tower. For a moment, my legs wobbled in relief.

It didn’t matter that I could fly; all I knew was I could fall.

The massive bells hung in their frames as I slipped through the precarious walkway among them. I glanced over the edge of a landing into a stairwell that descended into the cathedral. For a moment I was tempted. Perhaps I could speed down those stairs and make my way to the crypt, obeying Marcellin’s orders and sealing the sanctuary against any who came. But a tickle at the back of my mind alerted me that others were nearing the spire.

I would give Calmet’s secret away if I followed my desire.

I crept around the huge bell in the center, easing my way toward the northern wing of the cathedral. The wood framework of the building would magnify even the slightest noise, betraying my position to any immortal nearby. I had to remain as stealthy as possible. Occasionally, I caught a whiff of some sour smell—an unwashed vampire, perhaps, still reeking of his last meal. The aroma overwhelmed the other, natural odors of this place—the warm spiciness of the wood, the metallic tang of verdigris and a lingering scent of spices from the cathedral below.

I froze. No, that aroma wasn’t the normal scent of the Catholic service. I was smelling myrrh.

Dear God—it’s Emmanuel Lando!

Terror, thick and cloying as the sickly sweetness of the myrrh, rose into my throat. I ducked under a smaller bell, edging around to the aperture that would lead me back to the roof and the buttresses keeping Notre Dame intact. If I was being stalked by Emmanuel Lando and not Volkonsky’s minions, things were worse than I could ever have imagined. Calmet’s blood, the blood of the eldest of night’s children, ran through my veins—his gift of healing.

Lando could not be allowed to drink from me, to add that power to his already considerable strength.

I slipped over the rail and back out onto the roof. I could hear the sounds of battle continuing hear the West Façade, punctuated by screams and clouts of power. It seemed as if there were more vampires involved now—probably Leandro had come at last to Marcellin and Calmet’s aid. I turned back to glance over my shoulder and one of the lead tiles loosened beneath my foot. I couldn’t help it; I screamed.

I slid toward the edge of the roof, grabbing desperately at tiles to slow my fall. I managed to grab hold of a gargoyle just as my feet and legs flew over the edge of the foot. I dangled there for a moment, relieved beyond measure at the sight of the gargoyle’s laughing snarl.

Lightning flashed above the cathedral, illuminating a lone figure at the top of the roof looking down at me. I didn’t have to see his sallow, drawn face or the tattered remnants of his Venetian robes to recognize Emmanuel Lando’s leering face.

I let go of the gargoyle.

Tuesday, February 16, 2010

I Write...Fantasy Romance? *gulp*

Sometimes, I am not the brightest Crayola in the box.  I was talking to someone the other day about writing, and he said, "So you write romance right?  All the heaving breasts and ripped bodices?"

"No. I write fantasy."

He looked puzzled.  "Isn't romance a fantasy?"

Avoiding the obvious comment I should have made, I replied, "No--think Lord of the Rings."

Yeah, I know.  Although Tolkien probably spins in his grave everytime someone equates his work with fantasy, it is the quickest route to understanding for the genre-impaired.

And then I stopped.  After thinking about it for a minute, I said slowly, "Well, you know--I guess I really do write romance. Fantasy romance."

For some reason, it was hard for my to make that statement.  Why was that?  Every story I've written has a romance woven into it somewhere.  It may not be the focal point of the story--like Tamsen and Brial, for example--but it definitely influences the plot and the character arcs.  I've always thought of my work as straight up, hard core, plain and simple swords and sorcery epic freaking high fantasy.

But it's not. 

I refuse to think it's because I'm a chick; guys write romance too when you get right down to it.  It just feels natural to me.  My characters (and most fantasy characters in my opinion) are in the middle of a high stakes game--for power, for freedom, for humanity...whatever they're fighting for.  In real life, relationships are born and nurtured hand in hand and side by side with stressful situations.  When human emotions (or Elven or trollish, I suppose) are at a high pitch, it just seems natural to me that the door is opened for other, intense emotions.  Emotions like love, for example, which can be wonderful and terrible at the same time.  Love automatically raises the stakes, makes the struggle more intense.  A character has someone else to be concerned with, someone they instinctively want to protect.  Love can divide a character's focus on the battlefield or sharpen it when dealing with Machivellian machinations.  Love can be both a punishment or a reward, depending on how the character sees it.  A character can fight against it nobly, sacrificing her love for the sake of the greater good.  Or she can embrace it wholly, allowing the swift current of love and desperation and determination sweep her up into a maelstrom of emotional turmoil which can mirror the actual plot arc leading to resolution of the conflict or, in some cases, divert that plot arc into some other unforeseen direction.

There's a tendency to think of fantasy romance like some Sleeping Beauty kind of thing, where the hero battles the supernatural to save his endangered beloved--David Eddings' series The Elenium, for example, does this.  Sparhawk has to find a way to free his beloved princess from the gemstone she's been set in to preserve her life.  But that's not all there is to fantasy romance.  Jacqueline Carey's Kushiel's Dart series for example (yes, I gush about her a lot) deals with the love between a courtesan and a priest sworn to celibacy.  Their love hinders the resolution of the conflict, distracting them from things they should be paying closer attention to but, at the same time, strengthens them for the conflict ahead.

So, at last, I was able to look at my conversation partner and admit, "Yeah, fantasy romance. That's what I write."  And as far as I can tell, it's true. 

And if that romance occurs over a big pile of elf guts, well, then everyone is happy.  Nothing like a steaming pile of entrails to give you that rush of butterflies to your tummy.  Who needs roses?  Give me carnage anytime.

Thursday, January 28, 2010

Clearing Out My Vision


Yeah, I know.  The post title sounds like I need to get new contacts.  That's not what I'm talking about though. First off, I don't wear contacts. Twenty twenty vision, thank you very much.

Second, I'm talking about writing.

Sometimes, you get so caught up in the story that you're writing that you almost become willfully blind about it.  Yeah, the words may have rolled easily from your brain onto the page, but you can't really see the whole picture when you're writing that first draft.  I know I can't. Building a good story is like baking a great loaf of homemade bread--you have to let the dough rest for a while so that it can rise to its fullest potential.  Something I'm noticing a lot in manuscripts from new writers (and even some not so new writers like myself) is that overwhelming urge to rush that story into the oven, to serve--continuing my culinary metaphor--a half-baked loaf of bread.

Let me explain.

Once you've written that first draft, put it away. Don't immediately turn around and start editing it.  Let it sit for a few days. Write something else; outline a new project or revise an old one.  Once that daily dose of the completed story wears off from you, take the first draft back out.  Go to your favorite reading chair--someplace away from where you work--sit down and read what you've written. Read it like, well, a reader would. Someone other than you who might have come across the story in a bookstore.  Don't make notes on it, don't start editing with your red pencil.  Just sit down and read all the way through without stopping.

Then, you need to come face to face with what you've written.

Is it enjoyable? Did it hold your interest? (Here's a hint: if your fingers start itching to rearrange sentences, the answer to these first two questions is 'no.') Is the main character credible.  Do you like him or her? Do you care about what happens to her? Is the conflict tense? Is it easy to figure out the solution to? (especially important for mysteries.  If you send me a mystery and I peg the bad guy within the first few pages of his introduction to the story, then it ain't much of a mystery if you know what I mean.)

You have to be totally honest with yourself. If you're not, you're not doing yourself any favors.  You'll send your poor manuscript out to someone like me who will give you all the honesty you never wanted. A writer has got to teach themselves not only to take the cold, hard facts an editor or agent would, but to recognize those flaws first and correct them.  If you have even the smallest niggling doubt about how something is working out, don't wreck your story's future and send it out.  Keep it at home, work on it some more, entrust it to some critical (and brutally honest) eyes other than your own.  Learn to not only accept criticism, but to yearn for it.

Clear out your vision.  Sure, it's your baby but you have to be able to look at your baby with wide open eyes and say, "You know--I don't think it's ready yet." Then take it back to your desk, open the file back up and work on it some more.

Before you think I'm just spouting off advice because I think I'm entitled to, let me correct you.  I'm spouting off this advice to myself more than anyone else.  I am not infallible.  As a matter of fact, I have numerous, grievous flaws as a writer.  And every time I think I have one hell of a story and get excited about shopping it around, I've sent it out too soon and watched it die beneath a pile of rejections and a surplus of 'unfortunatelys' in my inbox.

Trust me. I know of what I speak. Don't make the same mistakes I make--do better than me. Clear out your vision about your manuscript.  It's a hell of a lot easier to do that before you send the story out than to try and disinter it when it's almost--but not quite--too late.

Sunday, March 22, 2009

Holy Crap! A Golden Rose Nomination???

I nearly fainted when I found out that Temptation of Asphodel had been nominated for a Golden Rose Award for Best Sci Fi/Fantasy Novel of 2007 by Love Romances and More--especially when I saw my idol Christine Feehan's name on the nomination list too. I mean, think about it. Here I am, in the middle of the night (darned insomnia) and I find something like this out?

Wow. Someone hand me the vodka. I need a drink.

But then I started to think about it and I realized what a huge thing that is. For a new writer such as myself, who writes for a small, independent press to even be considered alongside a forerunner in genre romance--a giant, if you will--is a testament to how e-publishing has changed the face of the writing world. The perception that writers who publish with smaller presses are somehow inferior or untalented is fading. There's a heck of a lot of good fiction out there in the small presses and e-publishing houses these days. Now, I'm not saying that I consider myself to be the equal of a Christine Feehan. I'm a journeyman writer; she's a master.

So what else can I say but just WOW?

I love the fact that my Asphodel books are loved by my readers. I write to entertain, to share fantastic worlds and to hopefully transport people from their everyday lives to something magical and heroic and emotionally honest. To see my name alongside the other fantastic writers nominated gives me hope that perhaps I may have succeeded in some way in doing just that.

It is a glorious feeling. Thank you.

Wednesday, January 21, 2009

The Denouement


So, I'm at the denouement of Deception and I'm tiptoeing around it like it's got the chicken pox. I write a little bit of it, then shake my head and say "nah" and go back and tinker with it. This is not how I usually write. It's just that this is my first stab at a book that's not set in a world I made up and I keep forgetting that we people who live down here on Earth have rules and prejudices and systems that prevent me from my usual technique.

My usual technique is to just blurt it out and the rest of the characters look at each other, shrug, pick up their weapons and get ready to go fight.

That won't work this time.

So I'm sculpting it bit by bit, waiting for the spark of inspiration to tell me how in the hell I'm going to convince my main character that things like time travel and psychic bondage are not only real, but occurring all around her without her knowledge.

I have to admit, it's making me sweat a bit.

In other news, my good friends at AuthorScoop posted an interview with me today in their new section "Five Minutes With..." I was rather flustered to be asked to do the interview, but it's up. You should check out AuthorScoop anyway--it's the place to go for literary news and there's a backlog of great articles there. It's a good way to waste away an afternoon, and come out of it with new knowledge. Go check it out.

I'll be busy slithering around this denouement and trying to make it work.

Wednesday, December 17, 2008

Fan mail? Me? Nahhhhhhhh...

I got a lovely email today from a friend who is reading The Reckoning of Asphodel for the first time. This gentleman doesn't like elves, swords, names with apostrophes in them or that are unpronouncable and dragons. In other words, he hates everything I write about except dragons. I don't do dragons.

But he likes Asphodel to the point where he's at. That makes me happy. It's like the day a reviewer stopped in the middle of her review and emailed me, telling me I'd better be writing more Asphodel books and that I'd better not kill off Brial. I framed that email and hung it over my desk. I may do the same with this one.

Most writers never have a clue about what people think of their work save for reviewers and sales. You can deduce that if your sales continue to rise with each consecutive book that you are building a readership. That's obvious. Reviewers are paid to give their opinions of your book--and you'd better hope they like it. Talk about a make or break opinion!

But the average reader? The one who reads your blurb on the back of the book and says, "Hmm, this sounds good. I think I'll try it." -- those are the ones whose opinions you never get to know, never get to hear, never get to ponder and enjoy. That's why, to me, they're so much more important.

There's a young lady at Absolute Write who's read all four books in the series. She was really sick at home and I sent her the unedited versions so she'd have something to read because she was too sick to get out to the bookstore and wanted something new to read. I can occasionally be nice, so I sent Asphodel on to her. She finished all four books in four days. One a day. And she loved them, even in rough form and without all that editorial polish, she got hooked by the story and loved the books.

So that's why this email meant so much to me this morning. Fantasy isn't even this man's genre--obviously, if he hates elves and dragons it eliminates a lot of it. But, for some odd reason, he likes my work and thought enough of it to write me a note and tell me so. It's the high point of what has been a not-quite-as-much-fun-as-a-gynecological-exam sort of week of me. It reassures me that maybe I'm not that bad as a writer. Perhaps, just maybe, I'm on the right track.

I'm walking on air right now and trying not to wipe out on the ice. What a lovely way to start off my day! Hopefully, he'll like the other three books in the series too. That would be an accomplishment indeed.

Saturday, October 25, 2008

The Challenges of Co-Writing

You guys know I'm a loner. What else could I be cranking out the word counts I do every day?

Don't answer that. I know I don't have a life.

At any rate, for the past couple of weeks I've been working on a project with a Canadian writer--Rob Graham, another Aspen Mountain Press author who writes really really outstanding erotica.

Really really outstanding erotica.

But I digress. We came up with the idea to co-author a book. I'll admit that at first I was skeptical. I mean--come on! Who in their right mind wants to spend part of their day in my imagination, right? Well, the gods love him, apparently Rob didn't have much of a problem with that. It took us about half an hour to decide that we would co-write a Georgian vampire story. he would write from the hero's POV and I would write from the heroine's.

And the story took off. Ever have one of those stories that just WOULD NOT SHUT UP? We've got one. The characters are complex and interesting, the historical atmosphere of the setting is addictive, and for some reason this thing has taken on a life of its own. I'd venture to guess we're already about halfway through the first draft--and it WILL be a novel--in fourteen days. I'll keep you guys posted on how it's going.

If you guys want to drop a line to Rob and comisserate with him on the horrible punishment he's currently enduring because he's working with me, you can find him on his blog at http://romanticheretic.blogspot.com/ .

The poor dear. Rob has several books available through AMP and Phaze--I just got done reading his Gillian's Place and its wonderful. You should go check it out.

By the way, the countdown clock for Temptation will be going up this weekend. *grin* We're getting close to time for a new Asphodel book release.