Showing posts with label The Vampire Covenants trilogy. Show all posts
Showing posts with label The Vampire Covenants trilogy. Show all posts

Wednesday, March 09, 2011

The End of an Era

Yep. The end of one of MY eras.

My last contracted e-book comes out from Aspen Mountain Press this month.  The Vampire Covenants, a trilogy I began with co-author Rob Graham, concludes with Defying the Covenants on March 21, 2011. Although Rob and I co-wrote the first two books, the final book is all mine.  I wrote it by myself, which seems fitting as it's the last one.

For some reason, this book was harder to write than the others.  I hemmed and hawed for a long time over the characters, the ultimate resolution of the plot (which changed drastically from what Rob and I had discussed) and how to bring the story to a final culmination.  I'm not used to writing 'final' in any of my stories. I always like to think that even if I never write another word in the world, the story somehow goes on.  The characters have amazing adventures without me, until they pass into the history of that world.  Then they gradually adapt, becoming first a memory, then a legend and finally a myth.

But with Marguertie in the Covenants series, things are a little different. This is her last story. In a lot of ways, she is representative of me.  Marguerite slides from the limelight, while I move from one sphere to another.  I think that's very fitting.  Marguerite has been one of my favorite characters ever.  She's so different from Tamsen (Asphodel) and all my little goddesses from the Mythos series.  Marguerite is a tragic character in a lot of ways.  She finds ways to make her own happiness, true, but she also finds ways to screw that up.  She didn't start out as a heroine, a woman destined for greatness.  She falls into heroism because of a series of events completely out of her control, and throughout the three books her primary quest is to regain control over herself and her life.  And, at long last, she accomplishes that goal--but at a terrible cost.

I'm very proud of Defying the Covenants. I think this book is an earmark of the change in my writing style, the maturation, perhaps, of how I develop characters and plots. I also think this story is true to my narrative voice.  I was writing this book at the same time I was writing Theater of Seduction so that change in voice had already taken place.  This book is darker, and yet at the same time more emotionally honest than its predecessors.  A couple of the best scenes I have ever written are pivotal moments in the story.

Have you ever had one of those?  A scene that for some reason works so well that it evokes the emotions in you, the writer, that you'd hoped to inspire in the reader?  I had one of those in Apostle of Asphodel, with Anner's death. In Defying the Covenants, there are a couple of those--scenes that I re-read and that actually suck me into the story.  One gives me shivers. The other...well, I've opened the document about thirty times to change that scene, thinking I needed to revise the ending of the story.  But then, I'll read that scene over and I just don't want to touch the damn thing.  So it stays, and because it stays I've stuck with an ending to the story that conventional wisdom would advise against.

That ending is a risk, and therefore I love it.

So now my last countdown clock is up for the vampires of the Covenants, counting down the hours and seconds and minutes when they will at last emerge into the light--figuratively of course. The feeling is bittersweet, which makes it all just that much more amazing. 

I hope you love Defying the Covenants as much as I do.  And just to give you a feel for it, take a moment and get a taste of what Marguerite and Gunther and Marcellin will bring to the table this time.

And farewell to this second era of my writing career.  I hope the next era is as incredible as this one has been.




The Vampire Covenants 3: Defying the Covenants

by Celina Summers

buy page--http://www.aspenmountainpress.com/coming-soon/coming-soon/defying-the-covenants/prod_383.html

Coming March 21, 2011 from Aspen Mountain Press

Synopsis


As the Conclave prepares to confront the Russian renegade Grigori Volkonsky, Marguerite von Wittershiem has been shunted aside. Her husband and mentors hope to keep her out of danger by assigning her the unglamorous task of protecting the written lore of their people.

But their plans go awry when a traitor within the Conclave betrays them all to the enemy. As the most powerful vampires in Europe fall to Volkonsky’s minions, Marguerite must find not only the strength to stand alone but the ability to withstand the greatest threat that the hidden world of vampires has ever faced. If she fails, the immortal races and humanity will be destroyed.

In order to ward the Covenants as she has sworn, Marguerite must be prepared to defy them as well.

EXCERPT


* * * *


The Russians have surrounded us at Notre Dame! Calmet and Marcellin fight alone! Help us!

I was so close. I could make out the brass handle on the great door, gleaming with oily allure through the gloom. Something slammed into my body and hurled me into the pedestal of a statue warding the cathedral doors. I rolled to my feet, the sword in one hand and the dagger in the other. My foe laughed and circled me.

More vampires were dropping from the air now, most of them turning immediately to me. Marcellin was fighting against seven or eight immortals, all thralls, who had surrounded him but couldn’t get past the flashing guard of his blade.

“Come, little one,” the Russian nearest me said in atrocious English. “We will not harm you.”

Somehow, the new arrivals had gotten between me and the cathedral doors. There was no way I could speed through them and head for the sanctuary. I’d lead them right to it—and Calmet’s library. Desperately, I looked around for some other option.

I threw the knife at the Russian who’d spoken. He fell, screaming, to the ground with the blade protruding from his eye. I took advantage of his compatriots’ confusion and leapt for the narrow balustrade before the huge rose window.

My feet scrabbled on the edge of the stone railing, but I leaned forward and threw my arms around the Virgin Mary’s legs. The sword fell from my hand, spinning to the earth below. I didn’t wait to see what the Russians did next. As someone shouted below me, I ran across the narrow ledge to the southwest corner of the cathedral. I began to climb up the staggered bricks.

Overhead, the clouds that had been gathering over the death throes of the France I’d loved, rumbled ominously. I turned and barely bit back a scream. One of the gargoyles was right beside me, sneering over the embattled street below. I used the sculpture’s head to help me vault onto the ledge on its other side. By the time I reached the second balustrade between the twin towers of the cathedral, lightning flashed across the sky. It illuminated the false front of the façade and, for just a second, the steeply angled roof beyond it. I squeezed through two of the fluted columns and found myself standing on the peak of Notre Dame’s roof.

I sobbed, unsure which prospect was more terrifying—the Russians or the roof. Before I realized what I was doing, I mentally screamed, Gunther!

Every ounce of my power went into that psychic shout. Somewhere to the south and then, incredibly, to the north, I felt another immortal’s reaction to that desperate call. I didn’t have time to ponder who these vampires might be. Instead, I bit my lip and took my first step out onto the roof.

I couldn’t walk on the apex of the roof itself; decorative swirls and spikes of metal were enough to warn any vampire away. Instead, I progressed one step down from the peak, using the decorative ironwork to keep me balanced. I would never have attempted such a thing if I wasn’t able to turn into a bat if things went wrong. Regardless, I didn’t relish the idea of sliding down that pitched roof and forcing the shape shift before landing on the stones below. A vampire could experience all the pain of—and live through—breaking every bone in their body. It wasn’t a pleasant prospect at all.

While the storm gathered strength overhead, I scurried across the roof, keeping as low as I could and moving as quickly as I dared. Even to my ears, the sounds of battle were fading. I didn’t know if I was being pursued or not; I didn’t dare take the time to look. As I neared the first of the great flying buttresses, I had an idea.

Maybe I could conceal myself under one of those the same way Marcellin and I had hidden under the Pont Notre Dame. The towering spire reared in front of me. I scrabbled the rest of the way across the roof to it and pulled myself over the railing into the bell tower. For a moment, my legs wobbled in relief.

It didn’t matter that I could fly; all I knew was I could fall.

The massive bells hung in their frames as I slipped through the precarious walkway among them. I glanced over the edge of a landing into a stairwell that descended into the cathedral. For a moment I was tempted. Perhaps I could speed down those stairs and make my way to the crypt, obeying Marcellin’s orders and sealing the sanctuary against any who came. But a tickle at the back of my mind alerted me that others were nearing the spire.

I would give Calmet’s secret away if I followed my desire.

I crept around the huge bell in the center, easing my way toward the northern wing of the cathedral. The wood framework of the building would magnify even the slightest noise, betraying my position to any immortal nearby. I had to remain as stealthy as possible. Occasionally, I caught a whiff of some sour smell—an unwashed vampire, perhaps, still reeking of his last meal. The aroma overwhelmed the other, natural odors of this place—the warm spiciness of the wood, the metallic tang of verdigris and a lingering scent of spices from the cathedral below.

I froze. No, that aroma wasn’t the normal scent of the Catholic service. I was smelling myrrh.

Dear God—it’s Emmanuel Lando!

Terror, thick and cloying as the sickly sweetness of the myrrh, rose into my throat. I ducked under a smaller bell, edging around to the aperture that would lead me back to the roof and the buttresses keeping Notre Dame intact. If I was being stalked by Emmanuel Lando and not Volkonsky’s minions, things were worse than I could ever have imagined. Calmet’s blood, the blood of the eldest of night’s children, ran through my veins—his gift of healing.

Lando could not be allowed to drink from me, to add that power to his already considerable strength.

I slipped over the rail and back out onto the roof. I could hear the sounds of battle continuing hear the West Façade, punctuated by screams and clouts of power. It seemed as if there were more vampires involved now—probably Leandro had come at last to Marcellin and Calmet’s aid. I turned back to glance over my shoulder and one of the lead tiles loosened beneath my foot. I couldn’t help it; I screamed.

I slid toward the edge of the roof, grabbing desperately at tiles to slow my fall. I managed to grab hold of a gargoyle just as my feet and legs flew over the edge of the foot. I dangled there for a moment, relieved beyond measure at the sight of the gargoyle’s laughing snarl.

Lightning flashed above the cathedral, illuminating a lone figure at the top of the roof looking down at me. I didn’t have to see his sallow, drawn face or the tattered remnants of his Venetian robes to recognize Emmanuel Lando’s leering face.

I let go of the gargoyle.

Monday, February 14, 2011

I Can't Believe I've Been This Busy...But I Have

I have never taken this long off from blogging since I began way back in the day.  To be honest, I should be ashamed.  And I am.  So, as a Valentine's Day present from me to you, the Elf Killing desk is back open and ready for business.

Because that's what I've been dealing with--lots and lots of business.

To start off with...the big news.  As the result of a pitch I did at the World Fantasy Covention, I am now agented!  Cherry Weiner, of the Cherry Weiner Literary Agency, now represents all my work!  So while she has manuscripts of mine off on submission, I'm working double time to get more of my backlog of manuscripts ready to go out.  This is one of the great things about having a backlog of manuscripts ready to go.  Many of them I could have consigned to e-publication if they didn't attract interest in the querying process.  But, because I held on to those manuscripts, now I have a lot of work to present to my agent and that's a great thing.

So therefore, as a result, my final contracted work with Aspen Mountain Press will be Defying The Covenants, the final book of the Vampire Covenants series.  In another change, although Rob Graham and I co-authored the first two books, this book was written entirely by me.  Defying the Covenants will come out in March, and later this week I'll have publication dates and cover art to share.

And the remainder of my time has been spent with Aurora Regency/Aurora Regency Historicals. Our release schedule has been like clockwork since we launched in October, with a new release every two weeks at the very least. We have a growing stable of wonderful authors, several of whom have multiple releases with us, and the first reviews for our books are starting to roll in.  I must be honest--there's a real feeling of accomplishment now whenever I look at the Aurora site or blog and see all those lovely book covers. We are doing precisely what we set out to do. We are publishing high quality historical fiction--and the blend between traditional Regency romances and historicals is just about perfect--and building up a good reputation quickly.  I've actually hired editors now, who will take over the burden of day to day editing for the most part, which will enable me to concentrate on acquisitions, operations and promotional work.  I'm very excited by what I see going on at Aurora--you should go check it out when you get a chance.

Although this is a little late, I do have a New Year's Resolution to share.  I promise to faithfully blog at least three days a week from here on out.  Now that the craziness is subsiding into a regular schedule, Elf Killing goes back on my list of things to do.  I won't neglect you again--I promise.

So where do we go from here?  Well, Elf Killing is going to be making a shift.  As my priorities change professionally, this blog is going to reflect that.  I'd expect some serious retooling in the next few months and hopefully some changes that will make everyone happy.  We shall see.  But until then, we'll muck along as we always have--a little sarcastically, rather entusiastically and a lot more regularly.  Okay?

Deal.

Tuesday, May 18, 2010

Time Off Comes to a Close

So, yeah--my time off from blogging is done.  I've been writing and editing, but after A Month In The Life, I figured you guys deserved A Fortnight Of Silence.

All done now. It actually works out fairly well.  I've had a not-quite-stellar couple of weeks physically, including a brutal bout of insomnia and (of course) a lot of back pain.  That aside, it's still been pretty productive though.  I finished the first draft of Harlequin, which may or may not be the sequel to Deception Enters Stage Left.  I wrote the story to make. the. characters. shut. up. (Ever have a story like that? One that just wants to keep on going? Some gene in my DNA makes me want to write years' worth of fantasy soap opera. Not such a bad thing...) I'm getting close to finishing the final Covenants story--Defying The Covenants. We're shooting for a Halloween-area release on that one at AMP.  Mythos has hit the backburner.  My editor has the third book and I'm holding off on number four until I get Covenants done.

All that being said, some interesting things popped up on my Google Alerts today--a pair of reviews for the last two Asphodel books: Tempation of Asphodel and Apostle of Asphodel.  Bitten by Books had this to say about Temptation:


"...excellent tales and everything a good fantasy should be. They are multifaceted with a sweet innocence for the heroine that is definitely in contradiction to modern urban fantasy which portrays women as hard and uncompromising. Tamsen is hard when she needs to be yet compassionate and questioning when warranted....I would definitely recommend for fantasy lovers of any ages. Celina Summers slays this series!"
Hard to find fault with a review like that, especially when they follow up immediately with this about Apostle:

"...This tale is EPIC! This is the final chapter to a grand series with all of the tales in it at four-hundred plus pages. There are several worlds with different races (former enemies of the elves, the humans, or the sorcerers) coming together to battle a great evil. This series has over a dozen significant characters coming together from several of the previous tales to unite in love and mutual respect to recreate a great battle in Ilia; hopefully this time all of the characters reminiscent of the past battle will prevail, stop several curses, and eliminate a god...I would recommend it for the young or not so young dragon or harpie slayer. Slay on, Celina Summers, I will be watching for you to produce the next Harry Potter, because you have the killer writer gene!"

I love reviews like these, not only because they are very flattering but also because this is the review of a reader who got it. Know what I mean?  Sometimes, at least for me, I find making that connection is more gratifying than the raves. (Yeah, Celina--right) I love it when someone finds the dichotomy in my main character (Tamsen was written intentionally as a response to the hard, brittle fantasy heroine. I wanted to make sure she retained her humanity even in a world of elves and centaurs--and a tender love coupled with crippling emotional blows make a character more credible, in my point of view at least) or recognizes the scope in which I've written the story (the battle in Ilia--the second Trojan War in my imagined world of Asphodel--and how that one event can culminate multiple story lines). And while I really hope I produce the next Harry Potter--who wouldn't?--the fact that this reviewer saw past the story and into what I was trying to do means so much and gives me something to build from as I move into other stories.

Which, considering that Asphodel is another one of those stories where the characters. just. won't. shut. up. is a very good thing.

Well. Back to work.  I'm glad to be back to blogging; it's time to kick my daily routines back into high gear.

Thursday, March 25, 2010

A New Countdown Clock?


Notice anything new?

Yep--that's right!  The release date for The Vampire Covenants 2: Warding the Covenants, co-written with fellow AMP author Rob Graham, will be released on April 30, 2010~!

I'm excited.  I'll have two books released on two consecutive weeks.  Stay tuned for more info--this month is going to be crazy!

Wednesday, February 17, 2010

Back Into The Swing of Things


The recent deluge of snow over Lancaster has pretty much forced me to stay at home.  After a while, you run out of interesting things to watch on television (although thank God for the Olympics; at least it's something) and the internet starts to get stale.  I don't have any new books to read, my editing desk is clear and until the yard loses a foot and a half of snow we can't get the rest of our things moved into our new house.  So, the combination of all these elements (and a nasty case of bronchitis/pneumonia) have culminated in a huge spate of productivity over the last few weeks and my works in progress are reaping the benefits.

I've been delving fiercely into the final book of the Vampire Covenants trilogy, churning out about twenty six thousand words in the last couple of days and a pretty darn gripping battle scene if I do say so myself.  I may have been channeling Victor Hugo, because the thought of vampires battling on the flying buttresses of Notre Dame on Bastille Day has kept me glued to the laptop for hours at a time.  Supplementing the writing, of course, is all of the research that accompanies writing about such an important place and time.  When I was little and my French mother took us to Paris, I remember how enthralled I was by Notre Dame--the architecture, the crypts, the stained glass that was centuries older than my country--all of it made a lasting impression on the ten-year-old kid I was at the time.  That impression has been helpful as I wrote my way through that scene, but it also led to a lot of questions: what is the roof made of? (lead tiles) Were the gargoyles already there? (there were medieval gargoyles, but some of the ones there now are replacements from a nineteenth century renovation) Is this what Notre Dame looked like on July 14, 1789? (No, not really--most notably the spire is different, also added during the nineteeth century renovation)

All these little details add up.  And while I remember Notre Dame very well, I did not remember that the big building in front of it (the Hotel-Dieu) is a massive medieval charity hospital and at the time my story takes place was still in ruins, having burned down a few years before and not rebuilt yet. Occasionally, I'll get distracted and read on past the information I need, which is good.  Knowledge is never wasted.  And then, having pulled up as many photographs of Notre Dame, the roof, the gargoyle and the architectural details of the building, I throw my characters down onto the streets of Paris on the more momentous night of French history and hope they come to life.

It's a crap shoot. I'd be willing to bet that out of the 26k I've written for this climactic scene, less than half will survive in the final draft.  I'm a huge overwriter, no ifs, ands or buts about it.  But hopefully, when my readers dive into that scene, they'll feel like they are actually there--and THAT is when all this hard work really pays off.

At any rate, this blog post has deviated from what I originally intended to talk about.  Many of my blog posts do. I meant to tell you I was back in the swing of things and cranking out words quite nicely.  But, just as my research on Notre Dame diverted my writing, it's also kidnapped and run away with this blog post.

Which, I guess, just goes to show that I really am back into my writing zone.  I'm off now to get through the rest of this scene at Notre Dame and then all the way back through time to an era when Achilles' parents were falling in love and the Trojan War was barely a blip on the mythological radar.

Oh. And it's snowing again. Lovely.

Tuesday, May 12, 2009

Some More News


Just a brief blog post today with some news for you:

Breaking the Covenants is now available on Mobipocket. You can check it out here. It will soon be available on Amazon, Fictionwise and other major online retailers. So far, the feedback has been excellent and Rob and I are working busily on the second Covenants novel, Warding the Covenants, which will be released this summer by Aspen Mountain Press.

BUT, even more importantly--notice the new countdown clock? That's right! The Asphodel Cycle 4: Apostle of Asphodel will be released on June 19, 2009! I'm really excited. There's nothing more fun than releasing the last book in a series. Ready to find out the end of Tamsen's story? It's only thirty seven days away!

Friday, May 01, 2009

Chat Debacles and Book Release Day!


Nothing like a book release day to get your spirits up...

Which I sorely needed after the debacle of last night. I was all set to do an author's chat at Absolute Write (every Thursday, the chat room there is devoted to SFF). I'd even made notes. My chat was going to be about world building, new mythology and fantasy archetypes. So I'm cruising about Absolute Write about half an hour beforehand, being my usual smarmy self, and the bleeping power went out!

We had some pretty high winds yesterday and the substation down the street blew. So here I am, frantically emailing people on my cell phone, trying to get word to the AW chatmasters that I was having a little problem. I felt like a colossal heel (and a warm one since I didn't get my power back until about six am this morning) because now that's two scheduled events I've missed in the last two weeks--and neither one of them was my fault.

*sigh*

Hopefully we can get it rescheduled. I'll let you know. However, as I'm not one to miss obligations and am one of those annoying people who always turns up early, it really bothered me to not be there. Hopefully, I can rectify that tomorrow: Rob and I are chatting from 12 noon EST to 9 pm at Coffee Time Romance and More e-readers loop. Join us and find out about the world of the Vampire Covenants, the release of Breaking the Covenants, excerpts, fun, jokes, recipes, contests and whatever else nonsensical we come up with to entertain for nine hours straight. Ever see me in a chat marathon before? *rolls eyes* It's nothing if not silly.

So! Breaking The Covenants is now available from Aspen Mountain Press. As always, it will soon be available at Amazon, Fictionwise, ARE E-Books, Kindle, Mobipocket and all sorts of online retailers--I'll keep you posted. So shoot over to AMP and pick up your copy today--it's definitely a departure from Elf-killing.

*grin*

Now I'm killing mortals and immortals alike. What bliss!

Tuesday, April 07, 2009

Breaking The Covenants--More News


Hurray! The website for our Vampire Covenants world is up and running! Go check out http://thevampirecovenants.bravehost.com/index.html so that you can find out about our world and how we make our vampires work.

I'm getting really excited by this. Yes, I know there's a lot of people writing about vampires these days but this isn't an urban fantasy. Our vampires are moving through the world of the eighteenth century, when the vampire paranoia was so great that the latter half of the century is called the 'great vampire controversy.' We send them to London, Paris, St. Petersburg, Venice--some of the greatest cities of the era. We take the conventional vampire mythology back to the reader--no sparkling for our vampires, not that sparkling is bad.

A love that blossoms in life can only flower in death.

And this is one hell of a love story. Go check it out and drop back by and tell me what you think!

Sunday, April 05, 2009

Covenants Cover Art!





Yay! We have cover art for Breaking the Covenants which will be released on April 24th by Aspen Mountain Press!


Hopefully, I'll survive my daughter's wedding this week and can get back into blogging regularly. Here's hoping. But, until then, take a gander at this cover (artwork, as always, by the lovely and effervescent Renee George). Rob and I are both pleased and I'm starting to get excited for the release. You may notice in the hour or so after this post that a new countdown clock has been started.
It would be the Covenants countdown.
*grin*
I love writing.


Saturday, March 14, 2009

Let Me Tell You a Story About Vampires

I've had several people ask me the same question over the last few weeks that I think bears answering.

"Celina, why are you writing a vampire novel? The vampire craze is dead."

They blame it all on Twilight. I haven't read Twilight so I can't really comment on that. But here's the story of how the Vampire Covenants Trilogy came about.

I was talking to Sandra Hicks one afternoon (she's the publisher of Aspen Mountain Press) and mentioned that I thought it would be a good idea if some of the AMP writers got together and co-wrote novels. My first thought was that if writing a romance, we should pair a female writer and a male writer--the woman would write the heroine's point of view and the man the hero's. She thought that was a great idea and followed it up with, "So, who are you going to write with?"

I didn't even have to think about it. Rob Graham is a friend of mine, we'd talked online and done chats together and I liked his unique writing style. So I said, "Rob Graham." Her reply was, "So, set it up."

I contacted Rob and he was not only willing, he was enthusiastic. As I was a fan of his vampire novel "In the Dark," I suggested a vampire romance novel--but a historical one. I wanted to go back to the era where vampire lore was running rampant throughout Europe and base our story there. So that put us in eighteenth century Europe--just in time for the French Revolution. He knew he didn't want to write a stereotypical vampire for his hero; he wanted a German, a warrior from Saxony--not a high noble like a Count, but a member of the lower nobility. Rob named his hero Gunther von Wittershiem, a vampire some two centuries old. In order to balance that out, I created Marguerite Giffard--a twenty year old English widow reemerging into Court society in Georgian England. She was of higher rank than Gunther and, as a widow and an orphan, had learned to administer both the estates of her family and her late husband who'd died a few months after she married him at the age of sixteen. I based her in a lot of ways personality wise on Emma Harte, the mistress of Lord Hamilton, particularly when I saw this portrait of her:





That mischievous beauty so enchanted the painter George Romney that Emma became his Muse. Marguerite was born out of Emma's character traits and it helped that Rob absolutely became enamoured of Emma's portrait.

So we had our characters. Now we needed a conflict. Rob created our villain, the French Comte de Condé sur Víre, Alphonse de Brunel. With a rivalry between the two vampires that had lasted for centuries, de Brunel was naturally drawn to Marguerite when it became apparent that Gunther, despite the laws that governed the vampires, was falling in love with her. As Gunther and Alphonse continue their private war, Marguerite, unaware that the man courting her was an immortal, is put into great danger.


Considering the turbulent politics of Europe at the time, including the incipient madness of King George, there were all sorts of opportunities for fun in numerous cities across the continent. Our hero and heroine would romp through London, Paris and St. Petersburg as the story unfolded--three cities with dangerous political problems. So we enhanced that, creating the Conclave of vampires that enforce the Covenants--a group of laws all vampires must answer to. If a vampire is found to have broken one of the Covenants--just one--the punishment is destruction. The politics within the Conclave are just as turbulent as the mortal ones. Paris is led by the vampiric Benedictine monk Augustin Calmet (who is a historical character, the author of a treatise on vampires in the early eighteenth century) and assisted by the devious Marcellin Dautin. Calmet's rival in the Conclave is a Moorish warrior in Madrid, Fausto Oleastro. These two immortals have been at odds for hundreds of years and the Conclave is divided between their supporters.


So now, our stage was set. Before we'd even written a word, we had a rich tapestry of elements to work with. As a fantasy writer by nature, world building is important to me--and one of my favorite things to do. Writing the beginning of Breaking the Covenants was exciting. It was fun. While our character flirted and went through their forbidden courtship, we played in the great houses of London and had a ball.
So here's the answer to that question, and the point of this story. The vampire novel is NOT dead. It's a sub genre of literature that has thrived since Bram Stoker wrote Dracula and stemmed from a hysteria so great that the Empress Maria Theresa of Austria (Marie Antoinette's mother) issued an edict forbidding the disinterment of bodies checking for signs of vampirism. The vampire novel is a classic archetypal story, one of seduction and sex, violence and evil, danger and sometimes even redemption. No matter how you dress your vampires up, whether in the panniers of the last few doomed years of Marie Antoinette's court, as a rock star based in New Orleans, or as sparkly teenagers in a high school--the vampire is still there. He is iconic and classic, the personification of physical urges discouraged by the staid rules of society (at least until the fifties or so), the silent watcher in the shadows who gauges his prey, the tortured soul who needs the blood of life to maintain the immortality of his death. The vampire is beautiful, desirable, charismatic and ultimately, unattainable. There is a gothic loveliness to his isolation and just as the vampire turns his victims into creatures of the night, there is always one potential victim who turns him in some way--turns him into a protector, turns him into a monster, turns him into a man willing to sacrifice himself for her. There is always the hope that she can somehow redeem him...from God, from society, from himself. As these are motivations that all of us can relate to, the vampire and his literature lives, will always live.
Much like the vampire himself is immortal, so is his story. And that, my children, is why I decided to write a vampire story. It seduced me, like the vampire does his victim, and now I am helpless in its grasp. I'm even keeping vampire hours these days.
Congratulate us, by the way. The second book of the trilogy, Warding the Covenants, will be completed this weekend. The first book, Breaking the Covenants will be released in a little over a month. And then the vampire--our vampires--will have their way with you all.
Sleep, for now.

Tuesday, March 03, 2009

A Great Day


So, I've been working hard on my paranormal romance/urban fantasy theater novel Carnival, now renamed Deception Enters Stage Left, getting it ready to query. Since the month of February is cursed in my household--a superstition my husband created and now has me believing in--I decided that I wouldn't query until March 1. Keeping that goal firmly fixed in my mind, I started to send out queries after midnight.

Then this morning, I found a request in my mailbox. That's always exciting. Before I'd quite gotten the SQUEEEEEE! out of my mouth, I hit refresh and found another. This time, I bypassed the SQUEEEEE! and went straight for the valium. I'm an old-fashioned kind of girl in that way. Then I went and took a hot bath--with bubbles naturally--before I returned to my computer.

And lo and behold, there was a third request in my email.

Three. In one day. Dang. I'm not the mass-query kind of writer. I send out only a few at a time, mostly because I had a nightmare once of sending out a hundred queries and getting all the responses screwed up as a result. So I send out small numbers--like ten. I usually pick them with an eye to their response times too. So while I might send out a couple with quick turnaround times on query letters, I compensate by sending out some that have longer response times and then some that are the ones who say on their website "if we aren't interested, we won't reply." That way, I figure that when the inevitable rejections come, they'll stagger in instead of swarming. Then I send out one query to replace the rejection so that I never have more than ten out at once.

That's my theory anyway. I like to try to keep my stress levels down as much as possible.

So anyway, now I had three submission packages to get out today. I always--always--double check my submissions before they go out just to make sure that something wonky hasn't happened and I knew that was going to take up a bit of time. Problem was, I already was fully booked for the day. I had to get four more chapters edited for a project I'm working on for another writer, I had a brainstorming session with Rob for our vampire project, I had a doctor's appointment, a book trailer to make, edits to get done for my short story collection (Metamorphosis) coming out in a couple of weeks plus my daily writing hours--and I even had hopes of getting the house in order.

Yes, yes...the house is still messy. But, here I am at four am the next morning with everything else on my list done. I'm feeling pretty proud of myself. Now for the fun part--I have to get up at eight.

A writer's life is grand, isn't it? Hectic, stressful and bizarre, but grand. I figure as long as I don't turn the news on for a while, my mood might remain cheerful for a couple of more hours at least. Here's hoping!

Wow. I just realized something. I even got a blog post into the mix. Wonders never cease.

Tuesday, February 24, 2009

The Vampire Covenants Book One: Breaking the Covenants

Oh, I know you guys have been waiting for this! The book trailer is out for Breaking the Covenants, the first book of The Vampire Covenants trilogy that Rob Graham and I are writing together-coming from Aspen Mountain Press in April, 2009.

Here's the blurb:

The German vampire Gunther von Wittersheim has a problem: he’s fallen in love with a mortal woman, the English beauty Lady Marguerite Giffard, and his greatest immortal enemy, the French Comte Alphonse de Brunel, knows about it. When de Brunel captures Marguerite and turns her into a vampire, Gunther must put aside his desire for revenge and help his beloved through the painful transition to immortality.

Vampires are bound by the Covenants, a code of law enforced by the mysterious Conclave of Elders. The couple is ordered by the powerful Elder of Paris to bring de Brunel to the Conclave to answer for trial. The lovers pursue their foe to St. Petersburg, where they are caught in a power struggle between factions of warring vampires. Can they find a way to capture Alphonse de Brunel before the factions go to war? Or will their love fall prey to the breaking of the Covenants?

And here's the trailer. Enjoy!