Getting Your Sh*t Together

In keeping with my current thought processes on organization and maximum production, I thought today i'd write about something that really gets me steamed. 

Yesterday, I confided my struggles in staying organized. That organization is essential if I'm to get every accomplished that I need to. So today, I want to talk about the flip side of the coin--keeping your shit together.

The writing relationship is interdependent with other people; it has to be.  Writers rely on cover artists, editors, proofreaders, beta readers and promotional experts to get their books not only ready for publication but out there in the public eye.  All the people in this chain have to be able to depend upon the others to get their work done well and in a timely manner.  Waiting for someone else to hold up their end of the stick is not only annoying, it's costly. 

If, for example, I'm editing a book for an author, she is going to rely upon me to get those edits done quickly and thoroughly and get them to her.  She can't proceed with her story until I've gone through that manuscript and made the necessary corrections--spelling, grammar, telling her what works and what doesn't and generally helping her to find ways to strengthen it.  If I decide to jack around and go play in Walmart for a few days, leaving her manuscript on my desk collecting dust, I'm not just affecting me.  I'm affecting the writer--who's stuck, the cover artist--who's waiting for the author's manuscript to be done, the proofers--who can't do their work until I've done mine, the promotional people--can't publicize excerpts if they aren't ready, and the publisher--this should be obvious.  If the edits drag on, the release date of the book can be delayed or pushed back.  This will impact people that I don't ever interact with and probably don't even know--the website manager, for example, or the third party sites that have to be informed the manuscript won't be ready.  And the domino effect continues all the way to someone's living room (maybe yours) who is waiting anxiously for that book from your favorite author to come out and is horribly disappointed when it doesn't. So playing at Walmart instead of editing may not seem that important at the time, but the end result might be the loss of readers for that author.

Laid out like that, it's kind of daunting, isn't it? Sure--procrastination is a fault many people share.  I am the queen of procrastination when it comes to things like washing the dishes or making an appointment at the vet.  But with writing--whether it's mine or someone else's--I can't afford to put things off.  I have to do my work to the best of my ability and as expeditiously as possible. 

So take a minute and think about what effects your procrastination might have. Think about who you're affecting with your inability to get things done when they're supposed to be done. Then sit down and try to figure out a way to alleviate your desire to put things off and see how it affects you overall.

And above all, get your shit together.  For every moment that you delay, you're wasting someone else's time. 

A Plan...and a Schedule-- Celina's "A Month In The Life"

I was making out a list today. I'm a professional list-maker.  I don't make grocery lists; I make life lists.  Sometimes I try to make a real schedule for my day and stick to it.

I usually don't.  I'm too easily distracted.

Unfortunately, I have so much to get done over the next month that I don't dare attempt it without being very strict about how I'm going to spend my time.  Between writing deadlines, editing deadlines, promotional deadlines and the convention, if I don't schedule my meals I won't be able to remember to eat.  Yesterday I literally forgot to eat.  Although missing a few meals won't hurt me--and after my butchery appointment at the dentist's yesterday eating very well might have hurt--that's not really the best weight loss program I could follow.  So I'm hanging out with my calendar and my appointment book and I am making a schedule for every day in the month of April.

And then I started to think.  A lot of people have asked me, "Celina, how in the world do you manage to get everything done?"  So, I decided that maybe in April I'll show them. My journal has been stapled to my side for the past few months anyway.  So beginning on April 1, I'm going to use my blog in lieu of my journal.  I'm going to post my schedule every morning and while I'm working, I'll make notes in my journal about my progress.  You'll be able to track my word counts, my distractions (mostly a couple of TV shows and the daily crisis call from someone in my family) and my deadlines.  You'll know just about as soon as I will if I screw everything up (which will happen, I guarantee you) or if I exceed my goals for the day.  If nothing else, it might help some of the younger writers who wonder how an author whose last name isn't Rowling can manage to survive financially while writing full-time or how I can manage to split my time between writing and editing.

Make no mistake--it's a buttload of work. My eighteen hour days are not a myth.



And, as an added bonus, I'll keep that blog/journal going throughout the Romantic Times convention.  You'll know who I met, what I did and what was notable about the workshops and events I attended.  If, towards the end of the day at RT my typing becomes worse, you'll know I'm updating my post in the bar. 

What good is a convention without a Happy Hour?  I ask you!

Heck--I'll even do a play-by-play of my pitch sessions.  Benefits for everyone...

So brace yourselves.  For the entire month of April, you get to walk that proverbial mile in my shoes--and if we're lucky, neither one of us will trip over my big feet.

A New Countdown Clock?

Notice anything new?

Yep--that's right!  The release date for The Vampire Covenants 2: Warding the Covenants, co-written with fellow AMP author Rob Graham, will be released on April 30, 2010~!

I'm excited.  I'll have two books released on two consecutive weeks.  Stay tuned for more info--this month is going to be crazy!

Drive By Post

Yep, I'm posting in a hurry today because I've had the most productive day of the year so far! I've cleared out all my submissions, sent off two sets of edits to my writers, written a letter of recommendation for a friend applying to graduate school, doctored up a sick kitty, finished up my laundry, sent out Aurora Regency's very first offers of publication to some very very good writers and started to work on paraphenalia for the Romantic Times convention.  But, in between all of this and my mandatory writing block which begins in fifteen minutes, I had to come post this little nugget quickly.

Remember me telling you I was going to be interviewed by future Hugo nominee (at least, she'd better be nominated at some point damnit!) Gini Koch?  Well, the interview is up and live in the Spotlight section of her website!  Go to http://www.ginikoch.com/spotlight.htm and take a look.  You'll find out things about me you might never otherwise have known!  And then, be sure to check out Gini's upcoming novel Touched by an Alien--which will be released by DAW on April 6~! Gini is a fantastic writer and you won't be disappointed. Touched by an Alien is available for pre-order. Get it now! You won't be sorry.

*sniff*

An interview? With me? Wow. I am overwhelmed.

And More New Information~!

You may have noticed that the countdown clock is going...

Yep. We have a release date! Mythos 2: Daughter of the Sea will be released by Aspen Mountain Press on May 7th!  Want to hear more about it?  Okay--here we go:

The young gods of Olympus have pursued the sea god Nereus’ daughters, Amphitrite and Thetis, since they grew to maturity. The sisters are used to the adoration of immortal men and like the attention they receive. But when the imprisoned Titan, Prometheus, makes a prophecy that Thetis’ son will be greater than his father, the gods shun the beautiful nymph. Thetis hides herself away from Olympus, leaving her sister Amphitrite angry and in no mood to deal with the fickle tastes of men.


When the King of the ocean, Poseidon, watches Amphitrite dance at a feast upon Olympus, he falls instantly in love with her. His attempts to court Amphitrite end in disaster; she flees to the one place in the three realms where no Olympian can go. Can Poseidon find some messenger to break through her anger and win her heart? Or will the great god of the oceans be spurned by this daughter of the sea?

Heh. I love that storyline.  At any rate, the adventures of Amphitrite and Poseidon will be released on May the 7th and I'm excited about it!
 
In other news...
 
I've received two new reviews this week.  ChrisChat Reviews  posted articles about both The Asphodel Cycle 3: Temptation of Asphodel and  Vampire Covenants 1: Breaking the Covenants.
 
About  Temptation,  the reviewer said in part:
 
"...As a reader, we all love tightly written tales. Stories which move quickly and have moments of calm where we can breath a little, where the characters can relax before the next surprise, the next battle. As a reviewer, these tales make my day. I love books which carry me away with their telling and have me forgetting I’m suppose to be looking for the positives and any negatives. Ms. Summers continues to capture the reader in me, while making me, the reviewer, forget what I’m suppose to be reading for..."
 
About Breaking the Covenants, co-written with Rob Graham, she writes:
 
"...In BREAKING THE COVENANTS you will be introduced to many other characters…the characters that guide, hinder, protect, and use Marguerite and Gunther. My favourite is Marcellin. I don’t want to tell much about Marcellin—he’s a character one must discover for oneself—I’m already hoping for a story of his own.Truthfully, there are other characters within BREAKING THE COVENANTS, which could easily carry their own separate story. Ms. Summers, Mr. Graham, was that a subtle enough hint? I am eagerly waiting book two. .."
 
ChrisChat Reviews gave both books a FOUR out of FOUR. Not too shabby, eh?
 
And, so--today some of my promo items came in for the RT Convention.  I'm excited--the little document stands look great and are a really nice gift for readers.  Everyone wants something to hold up a document when they're typing, right?  And instead of the big, bulky ugly metal ones, what could be nicer than a small, red, portable document stand...with my name and website address on it?
 
Right! Nothing.
 
*grin*
 
OW.  That hurt.  The emergency root canal turned into TWO root canals this morning.  I was in the dentist's chair from eight am until just before three and my jaw is SCREAMING at me.  That's enough blogging for today.  See you next time!
 
Oh, by the way--want a document stand?

Breaking the Covenants Moving Up Bestseller List!

Oh forgot this too--

Breaking The Covenants, the maiden novel in the Vampire Covenants series I'm co-writing with Rob Grahqwam is now at 32nd on the Fictionwise Bestseller list for Dark Fantasy! We're catching up with books by Charlain Harris and Stacia Kana so I'm totally excited!

AND...

Right now, Aspen Mountain Press' top two bestsellers at Mobipocket are BOTH my books!  Mythos 1: Bride of Death tops all other AMP books while The Asphodel Cycle 4: Apostle of Asphodel  is in second place.  So yeah--I'm having a GREAT week in sales.  Thanks to all of you for that!

Way Too Much To Do

It never fails that on a day when you have way too much to do, your body suddenly sits up, screams, "Hell, no! I'm not doing squat!" and provides you with the fabulously entertaining afternoon of trying to explain to the rest of the world why you're not getting done what you need to be getting done.

For example...and don't be so modest. You knew it was coming.

For example--I have two of my own books in edits right now. Both Covenants 2: Warding the Covenants and Mythos 2: Daughter of the Sea are with two entirely different editors.I am also editing two--no, three!--manuscripts for three entirely different writers. Plus, I am writing three...no, four contracted works at the moment and really busting my ass to get Mythos 3: Beloved of a Mortal in shape which means, naturally, that the muse wants to work on any. story. but. that. one.  The kids are coming home next weekend for our wedding anniversary, which means I need to get the house in order and the guest room de-catted.  Then I'm sending the girls with their girls to go get Easter portraits made for all the grandparents and great grandparents.  Then I'm still waiting on my promotional document stands to get here for the RT convention; they have to go in the closet by the sports bottles I got last week. Plus I need to make all my promotional gear for RT--business cards, postcards, bookmarks, cover flats, CDs and covers, table decorations, gift baskets and so forth--NOT TO MENTION the costumes for the two costumed events and work on my pitch and get my other agent-ready manuscripts finalized and start promotion for the nest Mythos book and the next Covenants book AND I have to do review submissions for AMP AND work on royalties AND wade through the slush pile for Aurora Regency and start to whittle it down to viable submissions AND I'd intended to do so much of this this week, starting today, so I sat down for a minute to eat a roll and watch my new favorite and only non-TIVOed television show (Undercover Boss on CBS at 9 pm EST on Sundays--the only show my husband and I both like and watch together so it's our weekly date) and as I bit into the roll--a soft yeast roll, because I love them--something strange happened and...and...

The tooth I was going to have a root canal on the week after this snapped off at the jawline.

The WHOLE tooth, save for a few purgatorial spears of bone, came out in my hand when I spit the strange hard object from my mouth.

First off, I'd just like to point out that considering how much I'm paying for dental care, this really annoys me.

Second, a big I TOLD YOU SO!!! to my dentist who insisted last month that the tooth would make it five more weeks until the root canal.  No, Doc--sorry. It didn't.  And I wasn't chewing ice. I was eating a soft yeast roll.

And, naturally, my third thought was OUCH!

Owowowowowowowowowowow--man does that hurt!  So, despite the hectic schedule this week and the work that is piling up faster than bonbons on a conveyor belt when Lucy is manning the line, everything comes to a screeching halt while I try to coordinate enough time--not only on my schedule but the dentist's--to get this little problem corrected all the time not looking in the mirror at my homage de la Alvin and the Chipmunks facial swelling and seeing double anyway.

All that spring forward crap? I sprang forward--and it looks like I sprang right into a brick wall.

Oh, by the way--I'll blog more about this tomorrow BUT be sure you head to my friend Gini Koch's website on Wednesday, March 24.  She's interviewed me for her site and you might find it funny.  Gini's sci fi novel Touched by an Alien is about to be released by DAW books and is available for pre-order at Barnes & Noble and Amazon. 

Gini is one of the most prolific writers I know. She writes faster than I do, and that's some trick. She's also a hell of a damn good writer with sharp characters and completely amazing world building skills.  I don't say this about many writers so you know I'm telling it like it is.  Hop on over to her website and check it out.  You'll enjoy it--I promise.  Be sure you take a look at Touched by an Alien too.  I've already pre-ordered my copy and you won't regret picking yours up too.  I guarantee you--she's a future Hugo winner! I have faith in her.

Um... So What Exactly Do I Say?

So, at the Romantic Times convention, I have an appointment with an agent and also with an editor for a major publishing house. I'm thinking the chance for a sit down one on one pitch session is a chance for me to excel.  After all, I was a professional actor for a long time. A nationally recognized public speaker. A bartender.  I can talk to anyone. Right?

Yeah, but what do I say?

Let me think: 

"Hello, Mr/Ms Big Time New York Agent/Editor For A House I Would Die To be Contracted By!  My name is Celina Summers. I write speculative fiction with a heavy dose of romance. I focus upon strong female protagonists and I'm really headed for the top!  Now--fork over my contract or I won't buy you a drink in the bar..."

Nope. Not it.

"Yo, babe. My name's Celina. You can call me Your Majesty.  I have the best manuscript in the world, the next great American novel--a guaranteed blockbuster that will make JK Rowling and Stepheny Meyer look like rank amateurs..."

Nope. Not it either.

"Um...hi.  Um...I wrote this book, you know? And it's about weird people who fall in love.  And magic. Can't forget the magic. And I like cats..."

BZZZZZZZZZZZZZZ. Wrong answer.

"You know, I queried you last week/month/year and you didn't request my manuscript so I figured I'd show up here and tell you why you were wrong..."

Next!

"My name is Celina and I am an alcoholic..."

Nope. Not a good idea.

"Hi. My name is Celina Summers.  Right now, I have five manuscripts completed in the genres of paranormal romance, urban fantasy and high fantasy.  Three are standalone books and two are the first books of potential series.  Chances are if you tell me what you're looking for, I have a manuscript that'll fill that need..."

Not bad, but the subtext would be "...and if it's not, I'll damn sure make certain it is before I send it to you..."

So let me think. What would I say?

This makes me fall back on the long days of cattle call auditions.  When you're auditioning for a role, you not only want to do a great job interpreting the script but you want to make certain you're memorable to the casting director.  Now, there were many occasions that I was memorable--mostly because I face-planted on the way onto the stage or did something completely stupid like tucking the back of my skirt into my panty hose.  (I don't recommend that as a good way to get a role, by the way--although I did manage to land that one for some odd reason)

So I'm going to have to rely on instinct.  Let's see where that takes me.

In a one on one situation, the best way to be memorable is to be personable and unaffected.  Fortunately, I'm very comfortable speaking with strangers.  I like to put people at their ease.  In an eight minute scheduled appointment with an agent or editor, I need to be able to do that swiftly.  I need to be able to get across as much information as possible as quickly as I can.  That means being able to boil my pitch (my query letter) down into three or four well-chosen sentences.  I need to relate my experience, publishing history and strengths as a writer without sounding like an overbearing asshat.

My manner, which in my debate days was kindly described as "formidable" and somewhat more accurately called "bitchy," needs to be calm and pleasant. And above all, I need to arrive at a point as soon as I possibly can where the agent/editor can ask me questions--and THAT means I need to make them interested in my work.

So to start off with, I think my best bet is to get that presentation as efficient as I possibly can and then work from there.  Keep an eye out on the blog--I'm going to make notes as we get closer to convention time and let you know what I'm thinking.  Then, as I'm planning an extensive blogging experience at RT, I'll let you know how my plans worked or if they didn't.

Oh, I haven't mentioned that yet have I? I will be updating my blog a minimum of three times a day at the RT Convention and I'll share as much as I can of the experience.  I'll be heading into it with a lot of momentum too.  Mythos 1: Bride of Death  is currently AMP's #1 seller on Mobipocket and Breaking the Covenants is currently ranked 35th on the Fictionwise Best Seller list for Dark Fantasy.

Aha!  Something else I can say.  Amazing how that works.

Plotting and Plotting

It's all I seem to be doing these days--plotting.  No, not against people. Plotting new storylines. Or, in the case of Terella, replotting. 

Every writer plots.  Not all of us outline--personally, I prefer to sit around and make notes and then just let the story happen as it may.  But, regardless of what I'm writing, there's one thing I absolutely know whenever I poise my fingers above my keyword and prepare to type "CHAPTER ONE."

The ending.

I always know how the story is going to end.  If I don't know how it's going to end, how am I going to fully develop the path the story takes to get to the end?  It's impossible.  There's no way I could have written Tamsen's story if I hadn't known that at the end of The Asphodel Cycle, one of the primary characters was going to...erm...die.  I think I would have written that character differently if I hadn't known; the character almost certainly wouldn't have taken on the importance that he/she ultimately did if I'd not planned that death.  The death serves a purpose, not only for the main character at that moment of the story but for any--ahem!--future Asphodel stories that I may or may not be working on at the moment.

Yeah, if I'd tried to be any more coy than I just was, my fillings would have jumped out of my teeth.  Suffice to say that while some writers have elaborate and detailed plot outlines of their stories, still others like myself don't outline at all.  Regardless of which method you prefer, I think it's fairly important that you at least know where the story is going to end up.  The Mythos series is pretty sweet that way--I don't have a choice about how the stories resolve.  Since I'm sticking to the original classical sources, anyone with Google-fu or Morford's mythology books would be able to determine the ultimate outcome of those stories.

So here I sit, like a spider in a web, stringing out my plotlines in my head and trying to determine how to make them work.  Terella has been giving me fits now for how long? Two years?  The main reason I'm having such trouble with it is because I didn't have the ending planned before I began to write. (Darn that NaNoWriMo stuff anyway!) But now that I have an ending I'm pleased with, I figure I have to cut at least 40% of the manuscript in order to get the storyline back on track.

Color me contented--I like a challenge.

Mythos 1: Bride of Death Now Published!

The first book of my new Greco-Roman mythology series, Mythos 1: Bride of Death has just been released!  The series is fantasy, but with a healthy dose of sensual content--after all, the Greco-Roman gods were a randy lot. Although I remain faithful to--and cite--the original classical sources, these books are most definitely for adults.

Bride of Death is available now at http://www.aspenmountainpress.com/new-releases/bride-of-death/prod_304.html and will soon be available from major online retailers as well.

Synopsis:

When the mischievous god of love targets Hades, the god of death falls hopelessly in love with the spring maiden Persephone, the one immortal most ill-suited for his dark domain. Her mother Demeter will never allow the Lord of the Underworld to court her beloved daughter. The king of the gods proposes an unconventional solution: Hades may kidnap Persephone and take her to the Underworld to woo her. If Persephone agrees to marry hades, Zeus will support the match.

But neither god has reckoned on Demeter's inconsolable grief at the loss of her daughter. If Persephone is not returned to her, the goddess has vowed to destroy all life. Can Hades win Persephone's heart before her mother discovers who has taken her? Or will Persephone make her own wishes known as the intended bride of death? Even in the world of immortals, time is not on Hades' side.

Go check it out today!  And get ready--there's a lot more Mythos coming out this year!

When the Perfect Writing Relationship Founders

Hopefully, this is a blog topic that doesn't apply to any other writer but me.  It's not a pleasant topic to write about; it's not a great situation to be in.  But, it does present its own particular challenges that a writer needs to know how to meet.

Once upon a time, a long time ago, my crit group was bit by the fire-eating ant of all crit groups everywhere--let's write a shared world anthology! 

*If your crit group does this to you, back out gracefully as quickly as you can. Fair warning. I, on the other hand, was not so smart*

While I don't doubt there are groups of writers that can and do write succesfully in a shared world, I don't think creativity is the problem. I think professionalism is the problem. You have your beat every deadline by two weeks types of writers (like, um, me) and you have the deadlines don't really mean DEADLINES, do they? types of writers.  Ne'er shall the twain meet.  No matter how much you try to accomodate the 'other' type of writer, someone is going to get pissed off.  I'll even go further--it's usually the people who understand the concept of deadlines who lose their cool with people who don't.  So, when all is said and done, I learned a valuable lesson, right?

NO MORE SHARED WORLD ANTHOLOGIES.

Brilliant.  Fast forward three years.

A writing partnership can be one of the most amazing experiences of your life.  You find someone that you like planning things out with, whose writing style gels with yours.  You write in first person POVs as your two main characters.  You build a world, negotiating all the teensy little bits of information that make up a successful fictional landscape and, armed with all of that information and the inspiration you've derived from each other, you launch into your project.  You get lucky at first--you're trading a scene a day.  The manuscript is getting bigger.  The characters are jumping off the stage.  Together you've created something new and wonderful and fantastic.  It all should be cake, right? Right?

And then...the deal-breaker.

It doesn't matter what breaks the deal in the end.  The relationship is irrevocably shattered from the moment the deal-breaker is introduced into the project.  You may try to regain that magic you shared at the beginning, but it's never quite the same.  And then you're left with a huge world built and the story only half done.  So what do you do?

Hopefully, you and your writing partner are mature enough to decide together how to dispose of the shared intellectual property.  Maybe your writing partner is done with it, but doesn't have a problem with you continuing the story on your own.  Or vice versa. It doesn't really matter.No one likes to feel like they've wasted a year or two of their life. So perhaps, you can at least salvage a story out of the deal.  Or, if you're in the middle of a series that is uncompleted, you can finish off the series in such a manner as to satisfy your readership.  After all, the readership is and should be the most important thing to a writer in the end.  All that artistic integrity stuff?  Well, it's nice but it's hard to scrape onto toast in the mornings.

So what do you do?

First thing I recommend: cover all your bases from the beginning. Save all the professional interactions between you and your partner--preliminary scenes, world building materials, research, emails and chat transcripts.  All of these things have time stamps on them if--and the gods hope it never would!--it comes down to a legal issue.

The second thing? If you're working on a series, already have an idea of how the series will resolve. If you find yourself in the horrible position of having to finish out a story, you're in a heck of a lot of a better place if you know where that story needs to go. That way, if you suddenly have to double your word output, you have a guide to help you complete the entire plot arc--and check for those continuity issues!

Third? Don't waste time being bitter.  Sure--find a photo of your former writing partner and tape it up on your dartboard in the den.  Throw darts at her picture as long as you want to--but keep it there.  Leave the details of your parting of the ways off the internet.  If you don't, the focus of your story could quickly become lost behind the real life drama of the bitchy little spat being played out in front of a live audience online.  And, for that matter, don't go out of your way to encounter your former writing partner.  If she hangs out on a particular forum and has for a long time, don't shimmy your little tail down to that chatroom every day and then play all innocent when your butt gets burned for the spiteful little 'neener neener neener' act you're pulling.  If you're old enough to write a novel, you're old enough to know better.

And finally, never forget who you are.  You are a writer.  You are not defined by the writing partnership you may once have had. You were a writer before the project and you're still a writer now.  Sure, it's normal to experience a bit of a funk after a traumatic professional event like this one, but shake it off and get right back to the keyboard! Sulking about it won't make things automatically better.

We can all spend a lot of time daydreaming about what might have been.  But, once a writing relationship is in the past, go ahead and bury it.  Complete the story or trunk it--either way leads to a final resolution that will help you move on.  And, regardless of whether your writing partner quits or you do, don't cyberstalk your writing ex, lurking around like a vulture with every intention of sabotaging her every chance you get.  For one thing, that rarely works out well.  For another, it's a waste of time.

Just write.  You'll feel better.

Aspen Mountain Press Launches New Aurora Regency Imprint!

Aspen Mountain Press will launch its new Aurora Regency imprint on July 21, 2010!


Aurora Regency at Aspen Mountain Press is a line devoted to Regency romance. Traditional Regency romances, as exemplified by Georgette Heyer’s work, are first and foremost historical fiction about a very specific (and short) era. So what are we looking for? Hopefully, this will answer any questions you might have about Aurora Regency’s guidelines.

1) We expect historical accuracy. This includes language, clothing, customs, etiquette, events and places. Your book should have rich detail, the appropriate language and slang and an understanding of life in Regency England or, if set outside of England, according to the customs of the country. That includes behavior appropriate to a character’s life, position and social situation. (For example: divorce was not an option in Regency England so no new divorcées gallivanting at Almack’s in competition with the Season’s loveliest debutantes.) Historical accuracy will be a consideration in the acceptance of manuscripts and an integral part of the editing process. If your manuscript has several historical errors, you may be asked to revise and resubmit.

2) We hope for novel plotlines or exciting new twists on old themes. We are open to paranormal or Gothic themes as long as these elements do not compromise the Regency romance genre. So if your impoverished but well-born governess falls in love with the lord of the manor that’s fine. Just make it interesting.

3) We expect romance—oh, loads of it! Every kind of hero is fair game in a Regency romance and our heroines should be head over heels in love with them. But remember—this is a Regency romance. Spice is okay; jalapeno salsa is not. In an era were even the smallest infractions would lead to social ruin, well brought up young heroines were virgins on the wedding night. {However, if your Regency is about a member of the demimonde (a courtesan) and is erotic in nature, please indicate this in your query letter.} And, naturally, a HEA is the conclusion of choice.

4) Great dialogue. In the Regency romance, conversation is well-crafted and engaging. Half of the process of falling in love occurs when the hero and heroine engage in a battle of wits. Repartee is an art form; conversation is seduction. Anachronistic sayings or language are strongly discouraged.

5) Society. Society rules these characters’ lives. The Season is capitalized for a reason. As Jane Austen said in Pride and Prejudice, “It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife.” Society dictates that universal truth, and in a Regency romance Society is where the bridal hunt is carried out. It can be London or Bath or Brighton or even a simple country parsonage involved in county society—but society (either capitalized or not) is as big a character as any human being.

6) Fun. Above all, Regency romances are fun—both to read and to write. The more adventures your madcap heroine has, the better. Paranormal Regencies are acceptable as are the more intricate Regency murder mysteries. Even the darker side of the Regency world is fun.

So, do you think your Regency romance fits the bill? Then submit to us! The Aurora Regency line is published by Aspen Mountain Press, a royalty-paying e-publishing company. We do not charge fees for set up or charge for editing your story once it has been accepted for publication. Our contracts request rights to the contracted work, including digital and print formats as we will provide some of our titles in print later this year.

Aurora is looking for well-researched Regency romances between 35,000 and 70,000 words, although we will bend on the upper word limit if the story merits it. Please submit exactly and only the following if you wish your manuscript to receive serious consideration:

A query letter in the body of an email with:

Your legal name, pseudonym if applicable and contact email.

Working Title

Manuscript Length

General story description in two paragraphs

Writing Credentials

Include the first chapter (or first twenty pages, whichever is shorter) embedded in the body of the email. We will not open attachments. If we like what we see, we will request the rest of the manuscript. If this is a simultaneous submission, please inform us of this in your query letter. We will consider only COMPLETED manuscripts. Aspen Mountain Press does not accept proposals from writers unknown to us. Aurora Regency at Aspen Mountain Press will open for submissions on February 15, 2010. Please send all questions and submissions to AuroraRegency@gmail.com. We accept ONLY e-submissions. Initial response times are anticipated to be no longer than 2 weeks.

Back Into The Swing of Things

The recent deluge of snow over Lancaster has pretty much forced me to stay at home.  After a while, you run out of interesting things to watch on television (although thank God for the Olympics; at least it's something) and the internet starts to get stale.  I don't have any new books to read, my editing desk is clear and until the yard loses a foot and a half of snow we can't get the rest of our things moved into our new house.  So, the combination of all these elements (and a nasty case of bronchitis/pneumonia) have culminated in a huge spate of productivity over the last few weeks and my works in progress are reaping the benefits.

I've been delving fiercely into the final book of the Vampire Covenants trilogy, churning out about twenty six thousand words in the last couple of days and a pretty darn gripping battle scene if I do say so myself.  I may have been channeling Victor Hugo, because the thought of vampires battling on the flying buttresses of Notre Dame on Bastille Day has kept me glued to the laptop for hours at a time.  Supplementing the writing, of course, is all of the research that accompanies writing about such an important place and time.  When I was little and my French mother took us to Paris, I remember how enthralled I was by Notre Dame--the architecture, the crypts, the stained glass that was centuries older than my country--all of it made a lasting impression on the ten-year-old kid I was at the time.  That impression has been helpful as I wrote my way through that scene, but it also led to a lot of questions: what is the roof made of? (lead tiles) Were the gargoyles already there? (there were medieval gargoyles, but some of the ones there now are replacements from a nineteenth century renovation) Is this what Notre Dame looked like on July 14, 1789? (No, not really--most notably the spire is different, also added during the nineteeth century renovation)

All these little details add up.  And while I remember Notre Dame very well, I did not remember that the big building in front of it (the Hotel-Dieu) is a massive medieval charity hospital and at the time my story takes place was still in ruins, having burned down a few years before and not rebuilt yet. Occasionally, I'll get distracted and read on past the information I need, which is good.  Knowledge is never wasted.  And then, having pulled up as many photographs of Notre Dame, the roof, the gargoyle and the architectural details of the building, I throw my characters down onto the streets of Paris on the more momentous night of French history and hope they come to life.

It's a crap shoot. I'd be willing to bet that out of the 26k I've written for this climactic scene, less than half will survive in the final draft.  I'm a huge overwriter, no ifs, ands or buts about it.  But hopefully, when my readers dive into that scene, they'll feel like they are actually there--and THAT is when all this hard work really pays off.

At any rate, this blog post has deviated from what I originally intended to talk about.  Many of my blog posts do. I meant to tell you I was back in the swing of things and cranking out words quite nicely.  But, just as my research on Notre Dame diverted my writing, it's also kidnapped and run away with this blog post.

Which, I guess, just goes to show that I really am back into my writing zone.  I'm off now to get through the rest of this scene at Notre Dame and then all the way back through time to an era when Achilles' parents were falling in love and the Trojan War was barely a blip on the mythological radar.

Oh. And it's snowing again. Lovely.